Select photos from our Member Holiday Open House on Sunday, December 9, 2019.
Illuminating Lamb
A film documenting the creation of Peadar Lamb’s iconic Stained Glass Windows at Irish Repertory Theatre.
Director: Graeme Wells
Producer: Peadar Lamb
Co-Producer: Piaras Mac Cionnaith | FactFilm Production
Executive Producer: Keith Hutchinson| H2 Films
Associate Executive Producer: Loretta Brennan Glucksman
Camera: Piaras Mac Cionnaith
Editor: Graeme Wells
Copyright: Peadar Lamb
Video Made with Special Thanks to The American Ireland Fund.
The creation of the Stained Glass Windows was made possible by the generous patronage of Tina Santi Flaherty.
Learn more about the windows at irishrep.org/stainedglasswindows
2019 Irish Rep Raffle – Enter to Win a Trip to Ireland!
By entering the Irish Rep 2019 Raffle, you have a chance to win one of four great prizes!
Grand Prize: A MAGNIFICENT TRIP TO IRELAND
Experience Ireland! Two round-trip tickets to Ireland courtesy of Aer Lingus PLUS a 5 day/4 night guided Taste of Ireland Tour from CIE Tours.
1st Prize: OFF-BROADWAY SUPER PACKAGE
A year’s worth of theater tickets to performances at New York’s best Off-Broadway companies.
2nd Prize: SEASON TICKETS TO IRISH REP
Two tickets to each Irish Rep production in the 2019-20 Season.
3rd Prize: MYSTERY PRIZE
Online submissions must be received by Monday July 15th.
Winners will be drawn on Wednesday, July 17th.*
Raffle tickets are $25 each or 5 for $100.
All proceeds of the Raffle will support Irish Rep’s mission to present the best of Irish and Irish-American theatre.
Want access to more fun prizes? Check out our 2019 Auction, featuring over 35 amazing once-in-a-lifetime opportunities! Learn more at biddingforgood.com/irishrep
* The Raffle Drawing will take place on Wednesday, July 17 at 4:30pm after the matinee performance of Little Gem. Attendance at the drawing or at the Irish Rep gala is not necessary to win this raffle. For those unable to watch the drawing in person, the drawing will be livestreamed on facebook.org/irishrep. Winners will be notified after the drawing.
For questions regarding the raffle drawing, please email irishrep@irishrep.org.
Rules and Regulations: The cost of raffle tickets is $25 per ticket or 5 for $100, and must be paid in advance of the drawing. There is no limit to the number of raffle tickets that may be purchased, but winners are limited to one prize only. If a winner’s name is drawn for a second prize, drawing will continue until a new winner is selected. Employees of Irish Repertory Theatre or its Board of Directors, or their immediate families, are not eligible to participate in the raffle. Prizes must be claimed within one year of the drawing, unless otherwise indicated. By participating in this raffle, each contestant recognizes and agrees that neither Irish Repertory Theatre nor anyone who assists in the raffle or auction shall be liable for any occurrence resulting from the use of raffled or auctioned items or services. The list of raffle winners is available to the general public upon request.
2019 Auction: Bid to win once-in-a-lifetime experiences!
In our annual online auction- you can bid on once-in-a-lifetime experiences from the comfort of your own home with just a click of a button! You can win incredible packages, including:
- A luxury trip to Ireland– Including 2 Business Class Flights, 6 nights in Ireland’s finest castles & hotels, and more!
- Tickets to live tapings of The Daily Show with Trevor Noah (VIP), The Tonight Show with Jimmy Fallon (VIP), Full Frontal with Samantha Bee (VIP + photo with Samantha Bee), and more!
- Tickets to top Broadway shows including the Tony-nominated Hadestown (including meet & greet with star Patrick Page), Be More Chill (VIP and backstage experience),Shakespeare in the Park (including backstage meet and photo with star Kate Burton), and more!
- A private apartment viewing of the Macy’s Thanksgiving Day Parade!
- and much, much more!
All proceeds of the Auction will support Irish Rep’s mission to present the best of Irish and Irish-American theatre.
A Brief History of the Irish Revolutionary Period
Sean O’Casey’s Dublin Trilogy is set during three major moments in the Irish Revolutionary Period: The Plough and the Stars during The Easter Rising of 1916, The Shadow of a Gunman during The Irish War of Independence (1919-1921), and Juno and the Paycock during The Irish Civil War (1922-1923). Together, these three events mark the beginning of the nation of Ireland as we know it today – informing current politics and countless works of literature and art. Learn more below:
Pre-World War I: 1880-1914
After nearly eight centuries under forced British rule, the late 1800s brought a wave of Irish nationalism in the form of The Gaelic Revival, which encouraged the reemergence of the Irish language, and the Irish Literary Renaissance, which revived Irish folklore and other storytelling tradition through new works by famed authors including W.B. Yeats, James Joyce, John Millington Synge, Lady Gregory, and more.
Politically during this time, most Irish nationalists supported the Home Rule Movement, which sought to establish an independent Irish parliament to govern Irish domestic affairs within the United Kingdom. The plan had many detractors, most notably Republicans: Irish nationalists calling for a full departure from England, and Unionists: primarily Protestant loyalists who wanted to maintain British rule. However, the Home Rule strategy was most popular, and in 1912, Parliament approved Home Rule to begin in 1914. When World War I broke out, the enactment of Home Rule was postponed for the duration of the conflict.
The Easter Rising; April 24-29, 1916 (depicted in The Plough and the Stars)
While Unionists and moderate Home Rule-supporting Irishmen enlisted to fight with the British in World War I, ultimately suffering heavy casualties, Irish Republicans refused to participate in what they saw as an imperial conflict. Before 1916, most Irish people did not yet support the violent overthrow of the British, but a small radical contingent was mobilizing. The Military Council of the Irish Republican Brotherhood (IRB) and their military arm, The Irish Volunteers, were coordinating a rebellion with The Irish Citizen Army (ICA), a well-organized paramilitary socialist group that protected trade union workers during strikes. Sean O’Casey was very involved in the ICA’s early years, but he withdrew in 1914, criticizing the group for wavering in its socialist mission.
On Monday, April 24, 1916, approximately 1,200 Irish Republican soldiers, armed mostly with rifles, began to take over strategic sites in Dublin and proclaimed the new Irish Republic. The uprising caught the British by surprise, allowing for some early successes for the rebels before British reinforcements arrived, outmanning and outgunning the republicans with over 16,000 men armed with heavy artillery including machine guns and bombshells. Five days of shooting and bombing in central Dublin resulted in the deaths of nearly 500 people, more than half of the fatalities, plus 3,000 injuries, were to Irish civilians – most frequently at the hands of the British. To prevent further casualties, the rebels surrendered on Saturday, April 29, 1916.
After the rising, thousands of Irish people were arrested. Fifteen Irishmen, including most Rising organizers, were immediately tried without a defense and executed by firing squad. Sympathy rose for the rebels throughout Ireland; they were seen as fighting a clean, honorable fight in comparison to the British; the executions transformed them into martyrs. This plus the internment and imprisonment of hundreds of Irishmen and women and news of British cruelty to civilians ultimately turned the tide of Irish public opinion in favor of independence.
When the British government moved to impose a military draft in Ireland in 1918, they lost any remaining good will in Ireland. That December, the separatist party, Sinn Feín, won 73 of Ireland’s 105 seats. When they convened in Dublin in January, they proclaimed themselves Dáil Éireann (First Dáil), the parliament of an independent Ireland.
The Irish War of Independence, January 21, 1919-July 11, 1921 (setting for The Shadow of a Gunman)
When Sinn Feín declared Irish independence, armed clashes began between the Irish Republican Army (IRA), the army of the new Irish Republic, and British police forces. The conflict developed into a deadly war fought throughout Ireland, particularly in Dublin, where the British enforced strict curfews lasting from 8pm-5am nightly. The British sent reinforcements in the form of Auxiliary Troops and the notoriously brutal Black and Tans – a special temporary police force made up primarily of World War I veterans. They were given little training and minimal oversight by the British government and quickly became infamous for attacks on Irish towns and civilians, earning significant criticism for the British, both at home and abroad.
While most of Ireland supported the Republicans, Ulster, Ireland’s Northern Province, was deeply divided between Protestant Unionists and Catholic Republicans. These divisions deepened into sectarian violence during the War of Independence that would simmer and ultimately resurface decades later with the onset of The Troubles. Unionists established an independent parliament for Northern Ireland, adopting the Home Rule model rejected by Republicans.
The War of Independence ended with a truce on July 11, 1921, and negotiations bought about The Anglo-Irish Treaty that December. In addition to establishing the Irish Free State as a dominion in the British Commonwealth with its own government, army, and police force, the Treaty allowed Northern Ireland to opt out of the Free State and remain part of the United Kingdom.
The Irish Civil War, June 28, 1922 – May 24, 1923 (setting for Juno and the Paycock)
For Republicans who were fighting for full Irish independence, remaining in the British Commonwealth, as outlined in The Anglo-Irish Treaty, was not acceptable, nor was separation from Northern Ireland. A deep schism developed between Irish political leaders and within the IRA, turning former allies in the Republican movement into two new segments: pro-treaty Irish Nationalists and anti-treaty Irish Republicans, forcing everyone to choose sides.
In June of 1922, the pro-treaty party secured majority political support in Irish elections and established a new National Army for the Irish Free State. On June 28, Civil War began in Dublin between the National Army and anti-treaty IRA militants. Aided by British weapons, The Free State quickly secured most large Irish towns, and the war morphed into a guerrilla conflict, inflicting heavy civilian casualties in addition to significant loss of life on both sides. Out-organized and out-manned, the Anti-Treaty IRA agreed to a ceasefire on May 24, 1923. A formal peace was never reached; but after the ceasefire, most future disagreements were expressed through differing political parties. Although the Civil War lasted for only a short time, it was extremely bloody and costly, and it left a bitter legacy that informs Irish politics through today.
The complex events above cannot be fully explored in such a limited space, but we hope that it inspires you to learn more about this fascinating time in Irish history.
Glossary: The Plough and the Stars
When Sean O’Casey wrote The Plough and the Stars 97 years ago, he included a few references that would have been well-known to audiences of the time but are less familiar to contemporary viewers. Here’s some information to keep you in the know:
Easter Rising of 1916: The setting for The Plough and the Stars. For information, read this section in your program’s “Brief History of the Irish Revolutionary Period.”
Irish Citizen Army (ICA): a well-organized paramilitary socialist organization made up of trained volunteers from the Irish Transport and General Workers’ Union. Originally formed in 1913 to protect trade union workers during labor strikes, the ICA became a revolutionary army, participating in the Easter Rising of 1916 and in the War of Independence in 1921. Sean O’Casey was very involved in the ICA’s early years, but he withdrew in 1914, criticizing the group for wavering in its socialist mission under James Connolly’s leadership. In The Plough and the Stars, Jack Clitheroe is a Commandant in the ICA.
The Plough and the Stars (Flag): (Image to the left) The title of this play references the flag of the Irish Citizen Army, sometimes called the “Starry Plough.” The flag depicts the constellation Ursa Major (the Big Dipper, called “The Plough” in Ireland) over a plough on a green flag. It symbolized a free Ireland that would control its own destiny by controlling its means of production… “from the plough to the stars.” During the Easter Rising of 1916, the flag was raised above the Imperial Hotel when it was occupied by the ICA. That building was among the first to burn during the Rising.
Tricolor Flag of Ireland: During the Easter Rising, the Irish tricolor flag was flown as well as the Starry Plough; it began to be seen as the national flag whit it was raised above Dublin’s General Post Office by the revolutionaries, and was has been the official flag of Ireland since it gained independence. Its three colors signify a lasting truce (white) between the Catholics (green) and Protestants (orange).
General James (Jim) Connolly: a co-founder of the Irish Citizen Army (ICA) with James Larkin, Jim Connolly was an Irish republican and socialist leader. He was a leader of the Easter Rising and organized the ICA to join the fight. In The Plough and the Stars, Jack Clitheroe is an ICA Commandant under Connolly. After the rising, Connelly was executed by firing squad despite the fact that he was already dying from wounds sustained during the fight. He was carried out on a stretcher and tied to a chair for the execution, a cruel act that turned public opinion against the British.
Irish Volunteers: The bulk of the revolutionary fighters during the Easter Rising belonged to the military arm of the Irish Republican Brotherhood known at the Irish Volunteers. They fought alongside the much smaller but better-organized ICA.
Dublin Fusiliers: An Irish infantry Regiment of the British Army that began in 1881 and continued until the creation of the Irish Free State in 1922. Irish soldiers who fought for the British in World War I were generally Dublin Fusiliers. In The Plough and the Stars, Bessie Burgess’s son is a member.
Tommies: a general term for British soldiers.
Orange: Mrs. Gogan refers to Bessie as “Orange” – meaning she is a Protestant loyalist, a fact that would have been clear to Irish audiences at the time through contextual references to her hymn-singing, her support of the British in The Great War, and her mockery of her Catholic neighbors
Harp: The official emblem of Ireland; harps are a symbol of national pride and tradition.
Shinner: A pejorative term for a supporter of Sinn Féin, an Irish political party that supported the creation of an independent Irish Republic during the Easter Rising.