in the W. Scott McLucas Studio Theatre
By Abbie Spallen
Directed by Nicola Murphy
Starring Hamish Allan-Headley, Labhaoise Magee and Clare O’Malley
CRITIC’S PICK! “exquisite… achingly raw” – The New York Times
In a gas station in Northern Ireland, barely north of the border, Pumpgirl gets few customers beyond lecherous men and cruel women who remark on her tomboyish appearance. Otherwise guarded, she has struck up a friendship with “no helmet Hammy” – an amateur stock-car racer who prefers to spend time with his unsavory buddies over his wife and children. As Hammy’s wife, Sinead, stays home alone, she simmers with rage over her isolated, disappointing existence. On Hammy’s birthday, their lives become perilously intertwined, leaving them face-to-face with a desperate future.
Irish Repertory Theatre is proud to present this heartwrenching original story of rural life in Northern Ireland by Abbie Spallen, a multi-award winning Irish playwright making her Irish Rep debut. Originally presented by the Bush Theatre, Pumpgirl premiered in 2006 at the Edinburgh Fringe Festival, and made its New York debut at Manhattan Theatre Club in 2007. It won the 2007 Susan Smith Blackburn Prize, the Stewart Parker Trust Award, and was nominated for the Irish Times Best New Play.
Please note: this production contains themes of physical and sexual violence.
CRITIC’S PICK! “exquisite… achingly raw” – Jose Solís, The New York Times
PUMPGIRL is “humbly poetic… with three outstanding performances supporting its rich, expressive language” – Hayley Levitt, Theatermania
“harrowing, brilliant and brutal… a first-rate theatrical experience that is at once disturbing and relentless.” – Lisa del Rosso, One Magazine
“eye-popping, ear-singeing… Strap the Must-See banner on this one.” – David Finkle, New York Stage Review
“The rewards are many… Pumpgirl is the work of a writer we should know better.” – David Barbour, Lighting and Sound America
“a fine display of acting talent and incisive storytelling” – Michael Dale, BroadwayWorld
“a beautifully subtle revival” – Joseph Pisano, Theaterscene.net
From Previous Productions:
“a fiercely observed, unflinching play” – The New York Times
“Spallen’s words…curl around each other like acrid diesel fumes creating their own jagged narrative… a piece of sparky and intricately observed writing” – The Guardian

New York Drama Desk, Lucille Lortel, and Connecticut Critic Circle Award Nominee- Barry McNabb’s productions have been seen throughout the world. He began his professional theater career as a featured soloist for the national/international company of Bob Fosse’s Dancin’, for which he also served as Mr. Fosse’s dance captain. He then worked with/for Juliet Prowse, Agnes DeMille, Peter Gennaro, Michael Peters, Michael Bennett, Mike Ockrent, Gillian Lynne and Harold Prince, amongst others. While educating himself through working with the aforementioned masters, further NY studies included training with Sanford Meisner, William Alderson, Edward Morehouse, Sandy Dennis and others. Prior to this he worked with major ballet and modern companies as a company member and guest artist on both the West and East Coasts. As a member of the original Broadway cast of The Phantom of the Opera he directed/choreographed/produced and wrote Broadway’s Annual Easter Bonnet Competitions, which has remained Broadway Cares’ chief fundraiser for well over a decade. It is at this time he started choreographing work that ranges from ballet for the Grande Prixe de Lausanne Competition to “Saturday Night Live’s” Sprockets, and includes most of the classic musical theatre repertory. His stage work has been seen both on and off Broadway, as well as internationally from Bangkok to Barcelona and worldwide through his media work on “Late Night with Conan O’Brien”, “Saturday Night Live”, and various films and commercials.
Melissa’s Broadway credits include Anna Karenina, the revival of My Fair Lady, High Society, Amour (Tony Award nomination for Best Leading Actress in a Musical), Dracula the Musical, and Irving Berlin’s White Christmas. At The Hollywood Bowl in Los Angeles, she starred in The Sound of Music, My Fair Lady (with John Lithgow), and Camelot (with Jeremy Irons). She has worked with Stephen Sondheim on the revival of Sunday In the Park with George (Dot/Marie at The Kennedy Center), followed by John Doyle’s production of Passion (Clara) for which she was nominated for a sixth Drama Desk Award, and as Leona in the 2016 Encores! production of Do I Hear A Waltz? at City Center. In 2016 she also reprised the role of Sharon in the smash hit Off-Broadway revival of Finian’s Rainbow at Irish Repertory Theatre, which was extended three times, received rave reviews and was filmed in January 2017 for The Lincoln Center Library. She has also starred in plays by Shaw, Oscar Wilde and Wally Shawn and last year starred in another acclaimed Irish Repertory production of On A Clear Day You Can See Forever. Melissa was recently honored with a caricature at Sardi’s. Her latest album Sondheim Sublime was released to critical acclaim, with The Wall Street Journal calling it, “The best all-Sondheim album ever recorded.”.
Recent directing credits include: London Assurance, Love, Noël, The Plough and the Stars as part of The O’Casey Cycle, On a Clear Day You Can See Forever, Three Small Irish Masterpieces by William Butler Yeats, Lady Gregory and J.M. Synge, New York premiere of Brian Friel’s The Home Place, World premiere of Larry Kirwan’s Rebel in the Soul, Finian’s Rainbow, The Phyllis Newman Women’s Health Initiative gala, Truman Capote’s A Christmas Memory, Juno and the Paycock, and Dancing at Lughnasa. New York stage appearances include A Perfect Ganesh, Meet Me in St. Louis, The Perfect Party, Morning’s at Seven, Private Lives (with Elizabeth Taylor and Richard Burton), and many performances with the New York Shakespeare Festival. Ms. Moore has received two Tony Award nominations, the Outer Critics Circle Award, the Drama Desk Award, the Drama League Award, the Irish America Top 100 Irish Award, The Eugene O’Neill Lifetime Achievement Award, and the 2008 Irish Women Of The Year Award. She is the recipient of the St. Patrick’s Committee in Holyoke’s John F. Kennedy National Award, and has thrice been listed as one of the “Top 50 Power Women”in Irish America Magazine. Charlotte was named “Director of the Year” by The Wall Street Journal in 2011. Charlotte has recently been inducted in to the Irish America Hall of Fame and been awarded the Presidential Distinguished Service Award for the Irish Abroad, 2019 by President Michael D. Higgins.