Ryan Silverman & Melissa Errico Talk Finian's Rainbow Giggle Fits, Cherished Passion Memories, & Much More Originally posted via Broadway Box December 19th, 2016 Tony nominee Melissa Errico is back at Irish Rep … [Read more...] about Interview: Ryan Silverman & Melissa Errico
The New Yorker: An Immersive Re-Creation of “The Dead”
By: Tad Friend Originally Published November 21, 2016 Issue The table was set for an old-fashioned Irish dinner party: white linen, cut-glass vases containing celery stalks and air-dried raisins. The meal, in a small tasting room in the West … [Read more...] about The New Yorker: An Immersive Re-Creation of “The Dead”
A Note From The Adaptors
We are delighted to welcome you to The Dead, 1904, adapted, by us, from James Joyce’s great short story. At your upcoming performance you will have the opportunity not only to observe the action of the piece, but to experience it from within. You’ll … [Read more...] about A Note From The Adaptors
I’m 46. Is That Too Old to Play the Ingénue?
Originally posted via The New York Times By MELISSA ERRICO AUG. 26, 2016 The ingénue police are at my door. Is this Melissa Errico? The actress? Do you understand that Sharon in Finian’s Rainbow should be around 27 years old? … [Read more...] about I’m 46. Is That Too Old to Play the Ingénue?
Robert Zawadzki on making his New York stage debut and the importance of
by Sarah Katz, originally posted via Stage Door Dish on 8/22/2016 Robert Zawadzki’s is making a strong first impression on New York audiences in the Irish Repertory Theatre’s production of Quietly. He has been with Quietly since its premiere in … [Read more...] about Robert Zawadzki on making his New York stage debut and the importance of
Broadway World Interview: Declan Conlon
Originally posted on BroadwayWorld.com Tell us about your character in the show, Ian. Ian is a 52 year-old man who arrives into a bar, having pre-arranged to meet another 52 year-old man, Jimmy. When Ian was 16 in 1974, he threw a bomb into a … [Read more...] about Broadway World Interview: Declan Conlon